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This
album is unlike anything Geldof has done before. And
its strangeness goes as deep as its greatness. Indeed,
the two are conjoined. It is, at times a difficult
album to listen to. But it rewards close and repeated
listenings. There are layers. The whole thing has
a dreamy (and sometimes phantasmagoric) quality
that is at once contemporary and timeless. |
Many
of the lines bring to mind strings of words that are with you
early in the morning in a time when you are dealing with grief
or tribulition--they don't quite make logical sense, but they
make emotional sense. Geldof fearlessly puts this stuff out
there for us. He rages, he ponders, he meditates, and,
ultimately, he copes--before our very ears.
There
are moments of stunning beauty in all of this. I've listened
to the album 5 times since I got it and the song "10:15"
has twice brought tears to my eyes. And I'm not a weeper. The
song is almost embarassingly personal. And devestatingly
beautiful. "Pale White Girls" is also fragile and
lovely.
"$6,000,000
Loser" is not beautiful, but it is the kind of song you
can't get out of your head. That you keep coming back to until
you come to terms with it. It is the most
stream-of-consciousness thing on the album.
The
whole album is deeply felt, powerfuly realized, hard to listen
to at times--but even harder to stop listening to. Finally, it
is a healing piece of work for anyone who has been in the depths
of despair and clawed their way out. It leaves no doubt that
someone else knows how it all feels.
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